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Showing posts with label Literature lecture. Show all posts
Showing posts with label Literature lecture. Show all posts

Sunday, February 22, 2009

On The History of Ugliness

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In “History of Beauty,” Umberto Eco explored the ways in which notions of attractiveness shift from culture to culture and era to era. With ON UGLINESS, a collection of images and written excerpts from ancient times to the present, he asks: Is repulsiveness, too, in the eye of the beholder? And what do we learn about that beholder when we delve into his aversions? Selecting stark visual images of gore, deformity, moral turpitude and malice, and quotations from sources ranging from Plato to radical feminists, Eco unfurls a taxonomy of ugliness. As gross-out contests go, it’s both absorbing and highbrow.

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Monday, January 19, 2009

Modern Poetry with Professor Langdon Hammer

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This course covers the body of modern poetry, its characteristic techniques, concerns, and major practitioners. The authors discussed range from Yeats, Eliot, and Pound, to Stevens, Moore, Bishop, and Frost with additional lectures on the poetry of World War One, Imagism, and the Harlem Renaissance. Diverse methods of literary criticism are employed, such as historical, biographical, and gender criticism.

Click session titles below to access audio, video, and course materials.

1. Introduction
2. Robert Frost
3. Robert Frost (cont.)
4. William Butler Yeats
5. William Butler Yeats (cont.)
6. William Butler Yeats (cont.)
7. World War I Poetry in England
8. Imagism
9. Ezra Pound
10. T.S. Eliot
11. T.S. Eliot (cont.)
12. T.S. Eliot (cont.)
13. Hart Crane
14. Hart Crane (cont.)
15. Langston Hughes
16. William Carlos Williams
17. Marianne Moore
18. Marianne Moore (cont.)
19. Wallace Stevens
20. Wallace Stevens (cont.)
21. Wallace Stevens (cont.)
22. W.H. Auden
23. W.H. Auden (cont.)
24. Elizabeth Bishop
25. Elizabeth Bishop (cont.)
Final Exam

The American Novel Since 1945 with Professor Amy Hungerford

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In "The American Novel Since 1945" students will study a wide range of works from 1945 to the present. The course traces the formal and thematic developments of the novel in this period, focusing on the relationship between writers and readers, the conditions of publishing, innovations in the novel's form, fiction's engagement with history, and the changing place of literature in American culture. The reading list includes works by Richard Wright, Flannery O'Connor, Vladimir Nabokov, Jack Kerouac, J. D. Salinger, Thomas Pynchon, John Barth, Maxine Hong Kingston, Toni Morrison, Marilynne Robinson, Cormac McCarthy, Philip Roth and Edward P. Jones. The course concludes with a contemporary novel chosen by the students in the class.

Click session titles below to access audio, video, and course materials.

1. Introductions
2. Richard Wright, Black Boy
3. Flannery O'Connor, Wise Blood
4. Flannery O'Connor, Wise Blood (cont.)
5. Vladimir Nabokov, Lolita
6. Guest Lecture by Andrew Goldstone
7. Vladimir Nabokov, Lolita (cont.)
8. Jack Kerouac, On the Road
9. Jack Kerouac, On the Road (cont.)
10. J. D. Salinger, Franny and Zooey
11. John Barth, Lost in the Funhouse
12. Thomas Pynchon, The Crying of Lot 49
13. Toni Morrison, The Bluest Eye
14. Maxine Hong Kingston, The Woman Warrior
15. Marilynne Robinson, Housekeeping
16. Marilynne Robinson, Housekeeping (cont.)
17. Cormac McCarthy, Blood Meridian
18. Cormac McCarthy, Blood Meridian (cont.)
19. Philip Roth, The Human Stain
20. Philip Roth, The Human Stain (cont.)
21. Philip Roth, The Human Stain (cont.)
22. Edward P. Jones, The Known World
23. Edward P. Jones, The Known World (cont.)
24. Students' Choice Novel: Jonathan Safran Foer, Everything is Illuminated
25. Students' Choice Novel: Jonathan Safran Foer, Everything is Illuminated (cont.)
26. Review for Final Exam
27. Final Exam

Sunday, January 18, 2009

Milton with Professor John Rogers

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A study of Milton's poetry, with some attention to his literary sources, his contemporaries, his controversial prose, and his decisive influence on the course of English poetry.

Click session titles below to access audio, video, and course materials.

1. Introduction: Milton, Power, and the Power of Milton
2. The Infant Cry of God
3. Credible Employment
4. Poetry and Virginity
5. Poetry and Marriage
6. Lycidas
7. Lycidas (cont.)
8. Areopagitica
9. Paradise Lost, Book I
10. God and Mammon: The Wealth of Literary Memory
11. The Miltonic Smile
12. The Blind Prophet
Midterm Exam
13. Paradise Lost, Book III
14. Paradise Lost, Book IV
15. Paradise Lost, Books V-VI
16. Paradise Lost, Books VII-VIII
17. Paradise Lost, Book IX
18. Paradise Lost, Books IX-X
19. Paradise Lost, Books XI-XII
20. Paradise Lost, Books XI-XII (cont.)
21. Paradise Regained, Books I-II
22. Paradise Regained, Books III-IV
23. Samson Agonistes
24. Samson Agonistes (cont.)
Final Exam

Thursday, January 8, 2009

Boston Athenaeum History Essays

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Stanley Ellis Cushing, curator, rare books, Boston Athenaeum
James Reid-Cunningham, chief conservator, Boston Athenaeum

Conservation concerns are frequently heard in libraries, as time and use take their toll on treasured holdings. Collections assembled over decades, or centuries as in the case of the Athenaeum, offer daunting challenges. Few libraries can boast of the long history of tackling these problems that is apparent in the history of the Athenaeum. This lecture tells the story of the rise of book conservation as a profession not only at the Boston Athenaeum but also at American libraries in general, and outlines the conservation issues facing the library at the beginning of the twenty-first century.

Rare books curator Stanley Cushing discusses the development of the artists' books collection over the last seven years, building upon the library's earlier acquisitions of fine bindings, printing, and illustrated books. He discusses examples of avant garde design, structure, and materials that are pushing the accepted limits of the concept of the book.

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